Category Archives: blog

New scores arrived!

I just received the newly-designed scores from Musicsales, and I’m delighted with them!  You can get them on musicroom.com.  (Annoyingly they haven’t uploaded thumbnails of the covers yet, though.)   There are 12 new scores now (I think) – here’s a pic of four of them.

Radio 3 In Tune – Listen again.

Phoenix Piano Trio were on BBC Radio 3′s In Tune with Sean Rafferty on Friday afternoon, performing one of the movements, the Scherzo, from my new piano trio.  It was wonderful!  I’m delighted – they played it superbly.  I was only sorry I couldn’t be in London to take part in the interview.

You can listen again on iPlayer for the next 5 days – click here.

The Phoenix are on from the beginning, and the bit with me in starts from about 12:45 minutes in.

 

BBC Radio 3, In Tune, with Phoenix Piano Trio

Wonderful news: one of the movements (the Scherzo) from my new piano trio, Klaviertrio im Geiste, will be performed live on BBC Radio 3 on Friday afternoon, 10th June, from about 4.45pm.  It’ll be performed by the Phoenix Piano Trio as part of a performance and interview about their Beyond Beethoven series.

They very nicely commissioned me last year to write this new trio, as a companion to Beethoven’s Ghost trio, which they’ll perform together with my piece at The Forge in Camden, London, on Wednesday evening, 8th June, and in Oxford at theHolywell Music Room on Saturday 11th June.

It feels like this piece is a big compositional step forwards for me: lots more process-based musical structure and much more clarity and simplicity than earlier pieces.  It feels like a very positive change.  So I’m particularly excited to hear it realised.

So, come along on Wednesday, Tune In to In Tune on Friday, or come along on Saturday!

 

‘FLIPP’ premiere. Unerhörte Musik, Berlin.

 

Well – a few weeks ago I went along to the premiere at Unerhörte Musik in Berlin, of my new short saxophone duo, Flipp, which I wrote for Christoph Enzel and Adrian Tully.  I have to say that the piece was written very quickly, after coming back from a slew of concerts in London just the week before the concert. It pretty much only uses two notes for most of the piece.  They played it BRILLIANTLY – and i was pretty happy with the piece.  I haven’t put up the info page here for it yet, but there is a recording of this piece here.  It works really good with headphones, to get the stereo effects between the two players. (In live performance they stand at opposite sides of the stage.) Check it out.

Flipp, for two saxophones (2011) by philipvenables

 

Christoph also played my Metamorphoses after Britten on soprano sax – rather wonderfully too.  The acoustic in the BKA Theater in Berlin is as dry as a bone, which affects how resonant and harmonic the slow movements sound, but the fast movements in there sounded punchy and clear and really energetic.  I really hope Christoph and i can record them properly sometime, to go alongside the wonderful recording of Melinda Maxwell playing the oboe version of the pieces.

Anyway – I look forward to working with these two amazing players again soon!

 

FIGHT MUSIC: music, violence and the spoken word

FINALLY…. after a lot of cogitating, I have reached a draft of a research proposal that I am happy with.  This morning I sent it off for my application for a place and funding for a Ph.D.

The proposal is called ‘Fight music’, and deals with my preoccupation with aestheticized violence  in art (specifically music, of course!), and also my recent explorations into incorporating speech into concert music.

Fingers crossed I get a place and funding.  But actually the exercise of writing the proposal has been really helpful.  The process helped me clarify what exactly I want to achieve with my music over the next few years, and also where I should look for inspiration, aesthetic context and support.  I’m definitely fired up to do something (apply somewhere else?) even if I don’t get a place this time round…

Big thanks to Taymour Soomro, Anna Galt, John Fallas and Tony Gilbert for second (third and fourth) opinions on various drafts.

Blood on the floor…

This gallery contains 6 photos.

So this week I had a lot of fun shooting photos for two flyers for concerts on 9th May (DREAMS, Out Hear, Kings Place) and 10th & 11th September (CONTACT, Kings Place Festival).  I was in Chester the last weekend … Continue reading

DREAMS. 9th May, Kings Place

My latest curatorial project at Kings Place is DREAMS.  Dreams of faith, dreams of pleasure, dreams of fear.

May 9th, 8pm at Kings Place, as part of their Out Hear series.

The performance is in three parts:

  • Juliet Fraser sings Hildegard of Bingen and Alejandro Viñao’s Hildegard’s Dream, a psychological song of spiritual visions…
  • Two preview scenes of my new opera, The Schmürz, to be performed by baritone Marcin Kopec, with Ian Watson on accordion and a group of actors, led by Andrew Fielding and Eamonn O’Dwyer.  The preview scenes are towards the end of the opera, where Len, the main character, finds himself alone with the mysterious Schmürz that has followed him all the way up his apartment building, after Len has abandoned his wife and daughter to the Noise.
  • Sciarrino’s astounding Infinito Nero. This is an incredible 30-minute “ecstasy in one act”, combining dreams of the flesh, faith and madness into a tense, surreal meditation.

Tickets are only £9.50 from www.kingsplace.co.uk.

Please come and support – we want a full house!  And stick around for a drink afterwards.

Shortlisted for the Presteigne Festival competition

I recently found out that one of my solo piano pieces has been shortlisted for the Presteigne Festival Composers’ Competition 2011.  I wrote two more piano studies, based on material I used for Klaviertrio im Geiste, and submitted them in February.  Alissa Firsova is going to workshop and record the pieces next Tuesday at Birmingham Conservatoire, and then they’ll announce the winner.  Fingers crossed.

Once the competition is over I’ll add these Two Studies to my growing collection of piano studies.  These two are another study in tremolo, and one in the use of pedals.  They’re little ‘crystallisations’ of classical sonata movements (in this case, a scherzo and a rondo)… but without the fluff (particularly in the case of the rondo, which is very sparse).  I’ll post up a recording soon and perusal score soon.

 

 

Welcome to the new site!

This new site is now up and running, but it isn’t finished yet.  Content is being added and should be complete in the next few days.  Have a click round now, but come back next week to see the rest!  Thanks.