Category Archives: Large ensemble

Len’s music

Year: 2009

Duration: 5 minutes

Orchestration: solo cello + va.cl.hn

Len’s music was first performed on 4th September 2009 at Kings Place concert hall, London, by Endymion.  It was commissioned by Endymion for the Kings Place Festival 2009.  The cellist was Jane Salmon, accompanied by Mark van de Wiel, Stephen Stirling and Robin Ireland.

 

Download a perusal score here

 

Buy the score here

 

Buy the parts here

 

Listeners’ Note

I am currently writing an opera based on Boris Vian’s play, The Empire Builders, a Cold War farce about the consequences of giving free reign to paranoia. The plot concerns a family fleeing from an unknown loud noise in the house they share with a faceless wretched figure, whom they mindlessly torture.  Eventually the father, having killed his wife and daughter through fear, is left facing the mysterious figure, and throws himself out the window.

Len’s music is an instrumental condensation of ideas for this final scene, with the cello taking the role of the father, Len. The continuous simple, slow melody portrays him in sorrow, reminiscing and slowly going mad.

 

 

Fight music

 

Duration: 5 minutes

Orchestration: solo cello + fl, cl, tpt, tbn, pf, drum kit, bass

Fight music was commissioned by Endymion for their 30th Birthday Sound Census festival in June 2009.  It was premiered by them, conducted by Quentin Poole and with Jane Salmon as the solo cellist, on 5th June 2009 at Kings Place concert hall, London.

Download a perusal score here

 

Buy the score here

 

Fight music is available on NMC disc D160, available here.

 

Listeners’ Note

Fight music is a scene from a chamber opera that I’m working on called Les Bâtisseurs D’Empire (The Empire Builders), adapted from the Boris Vian play of the same name.  The opera is a violent, surreal comment on war and colonisation.  This music accompanies a fight scene where members of the family and their maid savagely beat a bandaged mysterious figure lurking in the corner while discussing what they’ll eat for dinner.  It’s absurdist cartoon horror.

 

 

ANIMA


ANIMA, for large ensemble (2008)

Duration: c. 9 minutes
Orchestration: 14 players: fl, cor, bcl(+cl), bsn) / hn, tpt, tbn / pf, 1perc (kit+vib) / 1.1.1.1.1

ANIMA was commissioned by Ensemble 10-10 of the Royal Liverpool Philharmonic Orchestra, and was premiered by Ensemble 10-10 conducted by Clark Rundell, on 19th November 2008 at St George’s Hall, Liverpool.

Download a perusal score here

 

Buy the score here

(Parts available on hire from Music Sales)

 

Listeners’ Note

ANIMA came about from many different ideas, influences and inputs while it was being composed.  The first were some striking photographic images by the Brazilian artist Fagner Bibiano, depicting faceless human forms in vulnerable, fearful or exposed poses in banal, surreal surroundings, often with their identifying features and faces obscured.  It is from this series of images that the piece gets its name.  These images came to my attention through research for my first opera, which is currently being written with the librettist Ross Bowman.  It too is an exploration, through an everyday family an absurd, surreal situation, of conflict, fear and vulnerability.  You could say that this piece is a ‘prologue’ to the opera, although none of the music is actually the same.  Finally, I stole scraps of words from the Anima Christi catholic prayer, which apart from some reasonably visceral words, doesn’t have anything to do with the opera or Fagner’s images, but I liked them.  Somehow they make a connection.

 

Text

(excerpts taken from the ‘Anima Christi’, a devotional prayer of the Catholic church)

Anima Christi (soul of Christ)

Corpus Christi (body of Christ)

Sanguis Christi (blood of Christ)

Aqua [Christi] (water of Christ)

Passio Christi (passion of Christ)

Exaudi me (Hear me)