Klaviertrio im Geiste
In the last few years I have written pieces based on music by Dowland, Bach, Mozart and Britten, and I’ve really enjoyed experimenting with these older musical forms, bringing them far away from their original modes of expressions – sometimes even subverting them – but maintaining some kind of essence of what was there. In a similar vein, I took most of the raw materials for Klaviertrio im Geiste (notes, tempo ideas, gestures and figurations, etc.) from the slow movement of Beethoven’s Geistertrio – the music that gave his trio this nickname. Out of this I have fashioned what I would consider to be a ‘reflection’ of the classical form: miniature movements with simple and transparent textures, few ideas and a certain neatness. The sonata form first movement is, at the moment at least, tacet.
Im Geiste means, in German, ‘in one’s mind’s eye’ or, more literally, ‘in spirit’, as well as ‘der Geist’ having the literal meaning of ‘ghost’. So Klaviertrio im Geiste means ‘Piano trio in spirit’. I thought it a fitting pun for the provenance of this piece.
Klaviertrio im Geiste was commissioned by the Phoenix Piano Trio, with funds from the RVW Trust, to be performed by the Phoenix Piano Trio in several concerts alongside Beethoven’s Klaviertrio in D-Dur, op.70/1 “Geistertrio” (“Ghost” Trio).
II – Adagio
III – Scherzo
IV – Rondo
Orchestration: piano, violin, cello
Duration: 12 minutes