Some production images from the Ensemble Intercontemporain concert performance of 4.48 Psychosis, December 2021, at the Philharmonie de Paris as part of the portrait of my work in the Festival d’Automne à Paris. The ensemble was conducted by Matthias Pintscher, the singers were Gweneth-Ann Rand, Robyn Allegra Parton, Karen Bandelow, Samantha Price, Rachael Lloyd and Lucy Schaufer, with video by Pierre Martin and Mise-en-Espace by Elayce Ismail. All images by Quentin Chevrier. They can be used for press purposes with the appropriate credit.
The Festival d’Automne à Paris and Ensemble Intercontemporain gave a concert performance of 4.48 Psychosis on 16th December 2021. The concert was part of the Festival feature about my work, and took place in the Cité de la Musique in the Philharmonie de Paris. The concert featured singers Gweneth Ann Rand, Robyn Allegra Parton, Karen Bandelow, Samantha Price, Rachael Lloyd and Lucy Schaufer, and was conducted my Matthias Pintscher, with Aurélien Gignoux and Gilles Durot taking the solo percussion roles. Nicholas Berteloot and Emmanuelle Corbeau did sound design, Elayce Ismail looked after ‘mise en espace’ and lights, and Pierre Martin the video.
The Philharmonie de Paris have just released this trailer video in advance of the concert performance of 4.48 Psychosis there on Thursday 16th December with Ensemble Intercontemporain, in a co-production with the Festival d’Automne à Paris. The 9-minute video features a short interview with me about the piece, and some clips of the staged production from Strasbourg.
Some production images from the Opéra National du Rhin / Royal Opera production of 4.48 Psychosis, September 2019. Directed by Ted Huffman, Design by Hannah Clark, Video by Pierre Martin, Light by D.M. Wood, Sound by Sound Intermedia and Fight Direction by RC-Annie. The performers featured in the photos are Gweneth-Ann Rand, Robyn Allegra Parton, Susanna Hurrell, Samantha Price, Rachael Lloyd and Lucy Schaufer, with the Orchestre Philharmonique de Strasbourg conducted by Richard Baker. All images taken by Klara Beck. They can be used for press purposes with the appropriate credit.
The French premiere of 4.48 Psychosis took place 18-22 September 2019 at the Opéra National du Rhin in Strasbourg, in collaboration with the Musica Festival. The Royal Opera production was performed by the Orchestre Philharmonique de Strasbourg and Sound Intermedia under the baton of Richard Baker, with Gweneth-Ann Rand, Robyn Allegra Parton, Susanna Hurrell, Samantha Price, Rachael Lloyd and Lucy Schaufer as the six cast.
Some production images from the Prototype Festival / Royal Opera production of 4.48 Psychosis, January 2019. Directed by Ted Huffman, Design by Hannah Clark, Video by Pierre Martin, Light by D.M. Wood, Sound by Sound Intermedia and Fight Direction by RC-Annie. The performers featured in the photos are Gweneth-Ann Rand, Lucy Hall, Susanna Hurrell, Samantha Price, Rachael Lloyd and Lucy Schaufer, with the Contemporaneous Ensemble conducted by William Cole. All images taken by Paula Court. They can be used for press purposes with the appropriate credit.
4.48 Psychosis made its american premiere in New York City a few weeks ago at the Prototype Festival. The exceptional cast, orchestra and crew gave six performances of the Royal Opera production (directed by Ted Huffman) over eight days in the Baruch Performing Arts Centre. The performances were sold out, and the response from the press was incredible. Here is a small selection.
“there was no denying the sledgehammer power of Philip Venables’s “4.48 Psychosis” […] Venables’s bent for politically charged topics is all the more conspicuous because of his frequent use of speaking voices, which are coördinated with rapid-fire instrumental lines. Yet he is also a composer of considerable refinement, who can weave ethereal textures from a few carefully chosen pitches. This combination of savagery and economy makes for an arrestingly original musical personality.” — Alex Ross, The New Yorker
“In his opera, which had its premiere with the Royal Opera in London in 2016, the composer Philip Venables has found in Kane’s material a landscape of iciness and sensitivity, in which speaking and singing flow into one another with uncanny ease. […] All in all, this “4.48” avoids neither the text’s moments of pitch-black humor nor its passages of luminous air; it doesn’t prettify Kane, nor does it make her brutality unendurable. Elegantly ferocious, it is this unclassifiable play as music.” — Zachary Woolfe, The New York Times
“Despite violence, Venables gives a rendering of depression that accentuates tenacity, intelligence, and humanity.” — Lana Norris, I Care If You Listen.
“Venables takes full advantage of the play’s meandering stream-of-consciousness in a searing, kaleidoscopic score which foregrounds the lyricism and brutality of Kane’s text. Venables’ score has an unremitting intensity, endowing Kane’s play with a visceral impact so often missing from theatrical productions of the work. Textual contrasts are pushed to extremes in a score that alternates between Artaudian delirium and baroque detachment. […] Ultimately, 4.48 Psychosis is a heart-stopping, utterly devastating night at the opera, not to be missed.” — Callum John Blackmore, Parterre Box
The Royal Opera production of 4.48 Psychosis will make its american debut in New York City on 5th January 2019, headlining the Prototype Festival. Prototype is North America’s largest promoter of new opera and music theatre, and their January showcase festival takes place in venues across the city during the first two weeks of January each year. 4.48 Psychosis will run for six performances at the Baruch Performing Arts Center in midtown, and will feature the cast from the Royal Opera company, who revived the opera in London earlier this year. Tickets for the performances will go on sale on 1st October, here.
The recent performances of the Royal Opera production of 4.48 Psychosis have come to an end. We didn’t expect much press for a revival, of course, but the reviews there have been have been outstanding. The performances took place at the Lyric Theatre Hammersmith in April and May 2018. Here are some links to some of the reviews:
